Anupam Sud, born in 1944 in Hoshiarpur, Punjab, is a distinguished figure in contemporary Indian art, particularly known for her contributions to printmaking. Her artistic journey is marked by a deep exploration of human forms and identities, reflecting the complexities of gender and sexuality. Throughout her career, Sud has navigated the evolving landscape of art in India, making significant strides that resonate with both personal and societal narratives.

Anupam Sud’s academic journey began at the College of Art in New Delhi, where she studied from 1962 to 1967. During this period, she became the youngest member of Group 8, an association founded by her mentor Jagmohan Chopra. This group aimed to promote printmaking as a legitimate art form in India, providing a platform for artists to explore new techniques and ideas. Sud’s involvement with Group 8 was pivotal in shaping her artistic identity and fostering her passion for printmaking.

In 1971, Sud received a British Council scholarship to study advanced printmaking techniques at the Slade School of Fine Arts in London. This experience broadened her horizons and exposed her to international artistic practices. Upon returning to India, she began to develop a unique style that combined traditional Indian themes with contemporary issues. Her focus on the human body became a central theme in her work, allowing her to explore notions of identity and self-expression.

Throughout her career, Sud has employed various printmaking techniques, including etching and lithography. She is particularly known for her intricate etchings created using zinc plates, a medium that demands precision and patience. Her works often depict clothed and unclothed figures, exploring themes of intimacy and vulnerability. By stripping away superficial adornments, Sud invites viewers to engage with the essence of human experience.

One of Sud’s most notable bodies of work is the "Dialogue Series," which captures the complexities of human relationships through silent interactions between figures. These pieces often convey a sense of intimacy tempered by societal constraints, reflecting changing values in contemporary society. The use of symbolism and metaphor allows her to address broader social issues while maintaining a deeply personal narrative.

Sud’s art is not merely an exploration of form; it also engages with pressing social concerns. While overt political statements are rare in her work, she subtly incorporates themes related to gender dynamics and societal expectations. Her figures often embody feelings of isolation or introspection, prompting viewers to reflect on their own experiences within the context of relationships.

The evolution of Sud’s work mirrors the broader changes within Indian society over the decades. As she transitioned from exploring architectural forms and limbs in her early works to more feminist subjects later on, Sud responded to the shifting cultural landscape around her. Her ability to adapt while remaining true to her artistic vision has solidified her position as a significant voice in contemporary art.

Sud's contributions have been recognised through numerous exhibitions both nationally and internationally. Her works have been featured in prestigious venues such as the National Gallery of Modern Art in New Delhi and the Victoria and Albert Museum in London. Additionally, she has received several awards for her excellence in printmaking, including accolades from Lalit Kala Akademi and the President's Gold Medal.

Beyond her artistic practice, Sud has dedicated herself to education and mentorship. From 1977 until 2003, she taught at her alma mater, nurturing young artists and sharing her expertise in printmaking techniques. This commitment to education reflects her belief in the importance of fostering creativity within future generations.

Today, Anupam Sud continues to live and work in Mandi village on the outskirts of New Delhi. Her studio remains a space for experimentation and exploration as she delves deeper into themes that resonate with contemporary audiences. By bridging traditional practices with modern sensibilities, Sud’s art remains relevant in today’s discourse on identity and representation.

In summary, Anupam Sud's journey through time as an artist is characterised by a profound engagement with human forms and social issues. Her unique approach to printmaking has not only enriched Indian art but also provided a platform for exploring complex narratives surrounding gender and identity. As she continues to evolve as an artist, Sud's work invites reflection on the intricacies of human experience within an ever-changing cultural landscape.